The essay explores cinema's 'mysterious characters'—figures whose opacity resists even patient observation—arguing that withholding creates gaps that transform viewers into co-authors of character.
We are on the cusp of entering an exciting new era in the realm of writing, which I refer to as the third stage, AI-collaborated writing.
Given by Ida, I'm not Madame Bovary, The Favorite
Eisenstein the Tailor
TBA
...but didn’t know how to ask
Film director is called metteur-en-scène because his or her primary role is staging
There are films that talk a lot; and there are films talk a little. But finally, there are films that don’t talk at all. Is talking essential to cinema?
My dissertation, resurrected for its ten years publication anniversary
Emotion, memory and senses are inseparable. One always evokes the other. This seemingly innocuous statement in fact leads to cinema’s greatest potential.
“We shape our tools and thereafter our tools shape us.” — Marshall McLuhan
